The gay theatre group Homo Promos was founded in 1988 as a response to Section 28, which forbade councils from ‘intentionally promoting homosexuality’.
Section 28 got the chop in 2003, but all these years later Homo Promos marches on.
This website tells the story of its numerous productions, its community activities and its current plans.
Peter Scott‐Presland is the founder/director of Homo Promos and has written much of its material.
He has also been a journalist, historian, and songwriter, and is a compiler of crosswords.
Homo Promos Theatre Company has also received an International Award
To learn more about Homo Promos, explore the various pages of this website.
See our HP Shop page and the Digital Download of Coming Out - Ready or Not.
Stay in touch and get news of Homo Promos productions, and news and events for Paradise Press and Gay Authors Workshop by joining our Mailing List. Your details will be kept confidential and only used for this purpose.
Section 28 was an amendment slipped into the Local Government Act 1988 by two Tory backbenchers, David Wilshire and Dame Jill Knight, forbidding local authorities from 'intentionally promoting homosexuality or publishing material with the intention of promoting homosexuality' or 'promoting the teaching in any maintained school of the acceptability of homosexuality as a pretended family relationship.'
Margaret Thatcher's government supported it in exchange for getting Knight off the Health and Medicines Committee, where she was a pain. As legislation it was a paper tiger, since the Local Authority powers it claimed to curb were non-existent. They'd passed it to school governors; the horse had bolted. Nobody was ever prosecuted under Section 28, and Christian organisations which tried to invoke it were always sent packing.
Nevertheless the effect of the Act, which encouraged widespread confusion about what constituted 'promotion' of homosexuality, and to whom it applied, was to foster self-censorship in schools, in the arts and in advice services. Homo Promos, which chose its name deliberately as a provocation in response to the Section, was on the receiving end of this kind of action.
The Oval House Theatre in South London, which was partly funded by Lambeth Council, refused to take the play Double Vision, already contracted for, unless we changed the company name.
This was our response. And on this basis we went ahead, having highlighted the absurdity of the legislation.
Beyond this, there was damage done to a generation of young LGBT+ people, their friends and allies: warped sex education, a lack of safer sex information, and removal of gay books from libraries which all happened voluntarily, spurred on by fear of prosecution, or loss of funding.
We support the setting up of an enquiry to highlight the unquantifiable harm done between 1998 and 2003, when the section was repealed, to heighten awareness of the dangers of censorship and self-censorship. and to ensure that it cannot happen again.
Section 28 Justice Coalition have launched a Petition, calling for a public inquiry into the impact of Section 28 on LGBTQ+ people to get justice for those who lived through it and to give recommendations on how to stop anything like it ever happening again.
Their Dear Section 28 project is compiling an archive of personal experiences through letters addressed directly to the law and featuring a film called Don’t say gay which will be released later in 2026.
Peter Scott-Presland
Amiable Warriors III: The Best of Enemies will get off to a flying start with a gala launch on Friday 5 June 2026 at 5.30pm.
Venue: Canada Water Library Theatre.
The book is the third in a series about the history of the Campaign for Homosexual Equality. CHE was the largest ever LGBT+ organisation in the UK.
Thousands of people discovered their sexuality through CHE; it was the engine of social change for twenty years and spawned counselling services, phone helplines, gay centres and campaigns for equal rights in all areas of society.
The Amiable Warriors project is a four-volume history of this shamefully overlooked pillar of our history. Volume III is another eye-opener from award-winning writer Peter Scott-Presland, charting the rise of CHE against the currents of the time, and particularly against its more flamboyant but shorter-lived little sister, the Gay Liberation Front. Upsetting all received notions of our origins and history, this is Queer history for everyone.
'Richly illustrated and written with wit, wisdom and compassion' - Professor Matt Cook.
'A damned good read' - Peter Tatchell.
Peter Scott-Presland will be in conversation with Prof. Rainer Schutz discussing the book and the era.
The launch will also include screenings of two rare archive short films - the 1971 GLF Come Together, filmed at the LSE, and David Is Homosexual, made by Lewisham CHE in 1976. This 50th anniversary screening will be introduced by John Crossley, partner of the director, the late Wilf Avery, and by the cameraman David Belton.
The event is FREE, and there will be refreshments. It is ticketed, so you need to book. We hope to see you there.
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The next set of writing workshops are from 11 May to 8 June 2026 with a break for the Bank Holiday on 25 May.
These free workshops are held at the Kings Arms, Poland Street, London W1F 8QJ from 5.45pm to 8.00pm. Among other things we will be exploring writing for particular genres - sci fi, fantasy, comedy, thriller etc. Workshops are led by the ever-reliable Stephanie Dickinson and Peter Scott-Presland.
The workshops are run by Homo Promos and Gay Authors Workshop.
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The publication of Flash Dances: 100 Little Queer Tales was launched at an event on 17 September 2024 and is now available for purchase.
On Friday 19 January 2024 at 8.40 a.m., composer Robert Ely wrote "leaving only the Wilde portrait illuminated", "ppp" and "Finis" at the end of the score for 2001: Hitched, the final section and epilogue of A Gay Century.
One of the most ambitious works of gay art, of queer theatre and indeed in the whole of opera, was finally completed. Seventeen episodes, seven and a half years' work and 19 hours 55 minutes of music.
Few outside Wagner have had such vision and scope. It is a unique achievement. We are insufferably proud of it. See A Gay Century to get the measure of this great cycle.
